We were joined on a sunny day in July by the Cambridge Guild of Weavers, Spinners & Dyers for a private tour of the House and garden. Our trustee Sara shared her wonderful collection of dyed samples and the visitors declared themselves to have “benefitted from the passion for the building, knowledge and expertise” of our volunteer guides.
In turn, we benefitted from them identifying a strange plant in the garden. A whorl of leaves appeared last year which we left to see what new kind of plant would develop. They quickly identified it as Dyer’s Weld also known as dyer’s weed, yellow weed, dyer’s rocket, woold or weld.
It is much loved and visited by bees and other insects. The leaves can be used both fresh or dried but the fresh leaves produce a much brighter yellow colour than the dried. It is a huge plant and the seed either blew into the garden or arrived via a bird.
It has quite a history. In Roman times the robes of Vestal Virgins, priestesses appointed to the service of Vesta, virgin goddess of Rome’s sacred hearth and its flame, were dyed yellow with weld.
Nearer to home when over-dyed with woad, it produces Lincoln Green, the colour reputedly used to dye the clothes of the legendary Robin Hood and his band of merry men in the 13th century!
If you belong to a group who would like to visit but cannot join us for the standard Open Days we will happily arrange to open up at a time to suit you – read more details here.
In June this year we paid a visit to East Chase Farm as part of Warwickshire Open Studios.
The stunning work of textile artists Emma Price (In the Wool Shed) and Michala Gyetvai was on display. We were also intrigued to see wool being dyed harnessing the power of sunlight (as shown in the pictures of the jars). Solar dyeing takes a while – the textile and the dyestuff are placed into the jar and then left in the sun; the UV light is the fixative which binds the dye to the textile. The filled jars can be beautiful objects in their own right.
A celebration of local visual art, Warwickshire Open Studios runs each summer. Although the event is over for 2022, there is lots to delve into on the website, including virtual tours and info on the artists plus other events.
Sara Maycock is a weaver and dyer with lots of experience of creating and using naturally based dyes. In this blog, she shows you how to make eco prints using plants and a few simple pieces of equipment.
Eco printing is a form of natural dyeing where dyes are extracted from plant material direct on to paper or fabric – creating an imprint of the plant in some way. It is very unpredictable – what you see is not always what you get – which makes it exciting and disappointing in equal measure! The best way to approach it is to be experimental and curious about possibilities – a beautifully vibrant colour can be a total wash-out. Equally a drab looking leaf can produce an unexpectedly vibrant result.
Either way, it is the natural world giving up its secrets and allowing us an insight into the complexities of nature, so be prepared to go with it and accept whatever outcomes you produce. They’re all valid and a great way to produce a botanic record of your garden as an alternative method to drawing and painting. The images are also not always going to be sharp, as the dye bleeds into the wet paper during the boiling process so the results can vary from sharp through to impressionistic!
You will need:
• 2 plain bathroom tiles about 6” x 6” – these are used to trap the paper and plant material between them. The tiles keep the paper from disintegrating during the boiling process and maintain the contact between plant and paper so that a print is produced. Anything non-porous and flat will do the same job – metal plates or whatever, but it does need to withstand boiling water.
• At least 4 bull dog clips or similar which are big enough to clamp the tiles containing the paper and plant material tightly together – ideally 6 or 8 clips if you have them. The tighter you can fix them, the more successful the result.
• Pieces of cartridge or lining paper (used for wallpapering) per print, cut to the size of your tile. You could use any paper that is reasonably substantial and won’t fall apart on boiling, but do avoid a shiny surface as this could adversely affect the absorption of the plant dye. Photo mount board cut to size works well but I would reserve this for when you feel more confident with the process.
• An old stainless steel pan with a lid – into which the tiles will fit comfortably with the clips around the edges.
• Tap water
• Newspaper or old towel
Method:
Collect your plant material:
Choose interesting leaf shapes, coloured flower heads – but nothing too bulky as they will be pressed flat by compressing them between the tiles. They can make interesting 3D impressions in the paper as part of the process if they’re not totally flat. Again – experiment!
⚠ As usual when working in the garden be careful when selecting and handling flowers and plants as some can be poisonous or irritants, for example the sap of the rue plant can burn or cause a rash. So if you are not an experienced gardener check what you are picking first. ⚠
Layer as follows:
• one tile placed smooth side up
• a piece of paper the size of your tile
• plant material carefully laid out
• second piece of paper
• second tile smooth side down
Once you have this ‘sandwich’ of layers, clamp them tightly together with the bulldog clips around the edges.
NOTE:
You can process several layers of plant material within one pair of tiles. Just separate each plant layer from the next, with an extra piece of paper to avoid the images bleeding into each other – again it’s trial and error and relies on bull dog clips being large enough to grip the package together.
Alternatively – if your pan is deep enough and you have enough tiles and clips you can process several single ‘packages’ in one go. I have a large fish kettle and can do nine in one go.
Fill the pan with cold water to generously cover the pair of tiles, cover with the lid and heat until boiling, then reduce the heat and simmer gently for an hour.
Once finished, there’s no need to wait – but BE CAREFUL OF BOILING WATER – pour it away carefully and wait for the tile package to cool a bit before unpacking it for the big reveal!
The paper between the tiles will be saturated, so peel it back carefully and gently remove the plant material to reveal the image – and then lay the paper out to dry on newspaper or a cotton towel (basically something absorbent) – you may want to put something heavy on top to help the paper to dry flat, but be cautious of the paper sticking.
You will get a positive and a negative image – two for the price of one! – which will have subtly different qualities. Here are a few of the eco prints I have made with flowers and plants from The Weaver’s House garden, including the famous dye plant woad.
Woad in flower – hints of the blue dye in the leaves – but also pink
Forget Me Not
Woad in flower
Aquilegia
USE OF MORDANTS (fixatives) in the dye pot: Improves the fastness of the dye and also alters the dye tones:
Alum – can improve the clarity of the results – gives a yellowish cast
Iron water – saddens/darkens the results – an acquired taste
⚠ Be careful as some mordants are poisonous! ⚠
Here are some eco prints I have made on an old blanket during lockdown.
There are lots of on-line resources if you search for eco-printing, including this fantastic video:
We’re delighted to be involved with the Moving Blue project, which sees the colour with a Coventry history going back hundreds of years revived ahead of the City of Culture year.
The project kicked off on New Year’s Day and will run throughout this year.
Our trustee Sara Maycock is an experienced dyer and weaver and was able to contribute her knowledge to the project, as well as some pieces of woad-dyed wool!
At The Weaver’s House we have long been fascinated by the history of the famous colour Coventry Blue. Sara explained: “We’re thrilled to be involved with this project as the subject of ‘Coventry Blue’ is very close to our hearts. In medieval times, when The Weaver’s House was built, Coventry was a centre for the weaving trade, when the city was best known for its fine Coventry Blue cloth.
“We grow the woad plant in the garden, and although the plant is green and related to cabbages, it produces a fantastic range of blues. We have experimented with this natural dyestuff to see what shades of blue it produces, so we have an idea what Coventry Blue might have been like.
The dye pot
Freshly dyed wool
The weaving on the loom
Weaving in progress
“We’ll never truly know what the medieval Coventry Blue looked like as the recipe was a closely guarded secret, but it’s wonderful to see the colour being revived as we head towards 2021.
“Blue is a thread that runs through Coventry’s history for hundreds of years and we’re excited that Moving Blue will be a connection to the weavers of old as well as looking to the future of the city.”
During our tenth anniversary year the Weavers’ Workshop created weaving inspired by Coventry Blue. If you would like to see more of this previous experimentation with natural woad dye and weaving, you can read more here.
During 2020 a different item will be painted in Moving Blue every day. You can read the full details on the 2021 website.
Coming this October – a one day event by Guilds of Weavers, Spinners & Dyers.
Exciting news from our friends at the Coventry Guild – they will be hosting this special event this year. The event, which takes place in Christ Church in Coventry on Saturday 6 October will include demonstrations, an exhibition and more!
There will be a guest talk by John Arbon, and demonstrations of Saori Weaving and Takadai Braiding. Fibres, yarns and weaving supplies will be available to buy in addition to a book stall. The guilds will be putting on an exhibition of work to enjoy.
Also as part of the day, there will be a raffle and tea, coffee and cakes will be supplied (bring your own lunch). The day starts at 10am.
Tickets can be bought in advance for £8 or on the day for £10. To purchase advance tickets or for enquiries please contact covwsd@hotmail.com, text or call 07840 520850
The full venue address is: Christ Church, Frankpledge Road, Coventry CV3 5GT.
